Abduction from the Seraglio
S030
Symphonic Section No. 1
March 27, 2007
Mozart, Wolfgang Amadeus
Concerto No. 1 in D major for French Horn, KV412 &514
Orchestral parts: S506, Symphonic Section No. 4
Solo part: No. 31, the David Basch French Horn Collection
Orchestral parts: S506, Symphonic Section No. 4
Solo part: No. 31, the David Basch French Horn Collection
Mozart, Wolfgang Amadeus
Recitative & Ari für soprano from Die Hochzeit des Figaro (The Marriage of Figaro)
"End lich naht sich die Stunde"
S345
Symphonic Section No. 3
"End lich naht sich die Stunde"
S345
Symphonic Section No. 3
Mozart, Wolfgang Amadeus
Il Mio Tesoro Intanto No. 22 from Don Giovanni
String orch/clarinets, horns, bassoons
S317
Symphonic Section No. 3
String orch/clarinets, horns, bassoons
S317
Symphonic Section No. 3
Mozart, Wolfgang Amadeus
Non Piu Andrai from The Marriage of Figaro
Kalmus
S275
Symphonic Section No. 3
Kalmus
S275
Symphonic Section No. 3
Mozart, Wolfgang Amadeus
Piano Concerto No. 21 in C major
S031 I Breitkopf & Härtel
S031 II Kalmus
Symphonic Section No. 1
S031 I Breitkopf & Härtel
S031 II Kalmus
Symphonic Section No. 1
Mozart, Wolfgang Amadeus
Jupiter Symphony (Symphony No. 41)
Highland Music Co.
S176 I Isaac
S176 II Urtext
S176 III Minuet, arr. Carlin
Symphonic Section No. 2
Highland Music Co.
S176 I Isaac
S176 II Urtext
S176 III Minuet, arr. Carlin
Symphonic Section No. 2
Mozart, Wolfgang Amadeus
Symphony Concertante for Violin and Viola
(Sinfonia Concertante/Symphonie Concertante)
S257
Symphonic Section No. 2
(Sinfonia Concertante/Symphonie Concertante)
S257
Symphonic Section No. 2
March 25, 2007
Nelhýbel, Václav
Finale
Based on When Johnny Comes Marching Home, Glory, Glory Hallelujah, and America.
S230
Symphonic Section No. 2
Based on When Johnny Comes Marching Home, Glory, Glory Hallelujah, and America.
S230
Symphonic Section No. 2
Pachelbel, Johann
Canon for String Orchestra
Urtext of three violins and continuo, with optional arrangement by Helmut May for string orchestra
Schott
S614
Symphonic Section No. 4
Urtext of three violins and continuo, with optional arrangement by Helmut May for string orchestra
Schott
S614
Symphonic Section No. 4
Paisrello, G.
rev. Tintori G.
Concerto in fa per clavicembalo
e orchestra da camera
(Concerto in F for harpsichord and chamber orchestra)
Ricordi
File contains ochestral parts only.
S618
Symphonic Section No. 4
Concerto in fa per clavicembalo
e orchestra da camera
(Concerto in F for harpsichord and chamber orchestra)
Ricordi
File contains ochestral parts only.
S618
Symphonic Section No. 4
Prokofiev, Sergei S.
Lieutenant Kije, Suite Symphonique
(Prokofiev's soundtrack to the 1933 film Lieutenant Kije)
S237
Symphonic Section No. 2
(Prokofiev's soundtrack to the 1933 film Lieutenant Kije)
S237
Symphonic Section No. 2
Prokofiev, Sergei S.
arr. Isaac
Troika from Lt. Kije Suite
(Prokofiev's soundtrack to the 1933 film Lieutenant Kije)
S197
Symphonic Section No. 2
Troika from Lt. Kije Suite
(Prokofiev's soundtrack to the 1933 film Lieutenant Kije)
S197
Symphonic Section No. 2
Prokofiev, Sergei S.
arr. Isaac
The Wedding of Lt Kije
(Prokofiev's soundtrack to the 1933 film Lieutenant Kije)
S167
Symphonic Section No. 2
The Wedding of Lt Kije
(Prokofiev's soundtrack to the 1933 film Lieutenant Kije)
S167
Symphonic Section No. 2
Purcell, Henry
arr. Thos Gieschen
Rejoice in the Lord Alway [sic]
(The Bell Anthem)
Concordia Pub.
S263
Symphonic Section No. 2
Rejoice in the Lord Alway [sic]
(The Bell Anthem)
Concordia Pub.
S263
Symphonic Section No. 2
Rachmaninov, Sergei
arr. Leidig
Moods of Rachmaninov
(Themes from Symphony No. 2 and Piano Concerto No. 2)
S490
Symphonic Section No. 4
Moods of Rachmaninov
(Themes from Symphony No. 2 and Piano Concerto No. 2)
S490
Symphonic Section No. 4
Ricciotti, Carlo (Pergolesi?)
Concertino II
Manager's Note:
From the preface of the music: "In spite of the most assiduous, the editor of the Concertino No. II has been unsuccessful in establishing whether it, togther with Concertini Nos. I, III-IV, is the work of Ricciotti, Pergolesi, or a third unknown composer. As long as the original manuscript remains undiscovered, the authorship will be shrouded in mysterious obscurity."
S186
Symphonic Section No. 2
Manager's Note:
From the preface of the music: "In spite of the most assiduous, the editor of the Concertino No. II has been unsuccessful in establishing whether it, togther with Concertini Nos. I, III-IV, is the work of Ricciotti, Pergolesi, or a third unknown composer. As long as the original manuscript remains undiscovered, the authorship will be shrouded in mysterious obscurity."
S186
Symphonic Section No. 2
Rimsky-Korsakov
Dance of the Tumblers from The Snow Maidens
S215I arr. David Stone
S215II arr. Sandra Dackow
Symphonic Section No. 2
S215I arr. David Stone
S215II arr. Sandra Dackow
Symphonic Section No. 2
March 20, 2007
March 19, 2007
Sibelius, Jean
arr. Sopkin
Finlandia
S041
Symphonic Section No. 1
An urtext edition is also available, property of the South Bend Youth Symphony at Y034, SBYSO Section
Finlandia
S041
Symphonic Section No. 1
An urtext edition is also available, property of the South Bend Youth Symphony at Y034, SBYSO Section
Skolnik, Walter
Three Dances
for string orchestra in first position
Elkan-Vogel Co. Inc.
S042
Strings
Symphonic Section No. 1
for string orchestra in first position
Elkan-Vogel Co. Inc.
S042
Strings
Symphonic Section No. 1
March 18, 2007
March 17, 2007
March 4, 2007
Vaughn Williams, Ralph
Fantasia on "Greensleeves"
for String Orchestra and Harp (or Pianoforte) with 1 or 2 optional Flutes
arr. from the score of the opera "Sir John in Love" by Ralph Greaves
S371
Symphonic Section No. 3
for String Orchestra and Harp (or Pianoforte) with 1 or 2 optional Flutes
arr. from the score of the opera "Sir John in Love" by Ralph Greaves
S371
Symphonic Section No. 3
March 2, 2007
March 1, 2007
Troubleshooting: Post Titles
For the majority of posts, titles of posts refer to the composer, and each section of the library is organized alphabetically by name of composer.
There are a couple of intentional exceptions:
JAZZ FILES For Jazz files, the title refers largely to the name of the arranger. The name of the composer may be listed in the text of the file.
SYMPHONIC CHOIR This section is essentially vocal in nature, but has been set aside separately from the Vocal Section in the library and organized differently for various reasons mentioned in this link. While the title still indicates the composer or arranger, the order of files is not alphabetically ordered by composer, but rather alphabetically by the title of the work.
Use of the search engine can alleviate any complications due to these exceptions.
There are a couple of intentional exceptions:
JAZZ FILES For Jazz files, the title refers largely to the name of the arranger. The name of the composer may be listed in the text of the file.
SYMPHONIC CHOIR This section is essentially vocal in nature, but has been set aside separately from the Vocal Section in the library and organized differently for various reasons mentioned in this link. While the title still indicates the composer or arranger, the order of files is not alphabetically ordered by composer, but rather alphabetically by the title of the work.
Use of the search engine can alleviate any complications due to these exceptions.
Troubleshooting: Browsing
There are a few ways to browse through files:
Labels are useful in organizing music into different areas. Some labels indicate areas of the library, such as Winds, Vocal labels. Others, like Chamber Music indicate instrumentation, and others still like Baroque separate files according to compositional era.
An important thing to note is that files are uploaded by area, and not by these secondary labels. Thus, if you are browsing via a secondary categorization such as Strings, you will have to view the files by major section, i.e. the music for strings in the SBYSO section first (as it was uploaded later), followed by string music in the Symphonic section.
Simply put, areas of the library can be viewed in entirely alphabetical order. Other categorizations are still organized by area.
Click on this link for an overview of using labels.
Here are some specific complications in regards to labels:
The search engine in the upper left hand corner of any page on this website is a helpful tool not only for looking for a particular file or title, but also in searching for files in a different category (such as a specific publisher like Schirmer) which is not available in the labels. Remember that again that the files in the search results will be organized by section.
Click on this link for on overview on using the Blogger search engine.
Click on this link for some potentially tricky areas in searching for files.
Posts are archived by Blogger into months and years. This is primarily a tool for the Manager of the Arts Ensemble Library in uploading files in proper order by adjusting the time stamp of the posts. The best ways to browse would be the labels and search engine.
1. Using Labels
Labels are useful in organizing music into different areas. Some labels indicate areas of the library, such as Winds, Vocal labels. Others, like Chamber Music indicate instrumentation, and others still like Baroque separate files according to compositional era.
An important thing to note is that files are uploaded by area, and not by these secondary labels. Thus, if you are browsing via a secondary categorization such as Strings, you will have to view the files by major section, i.e. the music for strings in the SBYSO section first (as it was uploaded later), followed by string music in the Symphonic section.
Simply put, areas of the library can be viewed in entirely alphabetical order. Other categorizations are still organized by area.
Click on this link for an overview of using labels.
Here are some specific complications in regards to labels:
URTEXT as a label refers to original, unaltered material from the Symphonic and SBYSO sections only. However, chamber music may include mention of urtext within the file, if not as a label.
OVERLAPPING LABELS: Some genres/labels automatically incorporate other classifications - for example, musicals will necessarily be contemporary, and thus would be listed only under "Musical". On the other hand, music that is originally in the form of folk tunes and harmonized later on will be listed as "Traditional".
OVERLAPPING LABELS: Some genres/labels automatically incorporate other classifications - for example, musicals will necessarily be contemporary, and thus would be listed only under "Musical". On the other hand, music that is originally in the form of folk tunes and harmonized later on will be listed as "Traditional".
2. Using the Search Engine
The search engine in the upper left hand corner of any page on this website is a helpful tool not only for looking for a particular file or title, but also in searching for files in a different category (such as a specific publisher like Schirmer) which is not available in the labels. Remember that again that the files in the search results will be organized by section.
Click on this link for on overview on using the Blogger search engine.
Click on this link for some potentially tricky areas in searching for files.
3. Should I use the Archive?
Posts are archived by Blogger into months and years. This is primarily a tool for the Manager of the Arts Ensemble Library in uploading files in proper order by adjusting the time stamp of the posts. The best ways to browse would be the labels and search engine.
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